Themed Life Drawing in Hong Kong

Whenever time allows, I like to get some life drawing in. Nothing like it to hone the study of fascinating human forms. 110 Studio in Sheung Wan Hong Kong is run by a good friend of mine, and this video is a compilation of a few sessions I did there recently.

I haven’t been attending life drawing sessions as much as I’d like of late, but do whenever time allows. In addition to attending 'regular’ life drawing sessions where the model is nude, I also occasionally have fun at themed figure drawing sessions, and a new favorite is at 110 Studio Sheung Wan, run by Pei Sea, a very good friend of mine. The video above are some of my favorite sketches from a few sessions at her place. 

Advantages of using an iPad for Life Drawing

Using an iPad for life drawing is perfect for me as I like to work fast. It's also a huge plus that I don't have to worry about paint drying and where to put yet another dripping sheet of watercolor/smeary charcoal etc. And of course, it’s quite fun to watch the video playback afterwards, thanks to Procreate! I'm a fan of quick poses, and not needing space for lots of different media or dealing with the threat of spilling liquids, allows me the flexibility to change positions rapidly if I feel like it.

In a future post, I'll go into detail about my digital process for life drawing.

Life Drawing in Hong Kong

The life drawing scene in Hong Kong is cosy (spaces are small) and lively (we have some truly amazing models) and there are 3 studios I’ve been to that I can highly recommend for those interested. I’ll add links at the end of this post. Right now, 110 Studio is the only one I know that focuses on a theme at every session.

Both themed and ‘regular’ life drawing present different challenges. I really love the human form sans attire so I can draw torsos in glorious twists, but also delight in studying light on fabric drawn tight or loosely draped. A theme also gives the model expressions to draw from, adding an additional layer of life to poses. And if the model is good, WOW!

If you’re a newbie, themed figure/life drawing is when the model takes inspiration from a very specific topic. He or she is usually clothed, at least to some degree, depending on the purpose of the session. I’ve attended some where the model is nude but holds poses so animators can study the human form, inspiring characters in film. Often, it’s just for practice, but every bit helps, and the hours put in can add up to make a huge difference in skill level.

Themed Life Drawing at the Drawing Club, LA

I can’t talk about themed life drawing without mentioning where I first got into it: Bob Kato’s Drawing Club (then in Glendale) which I loved attending when I was living in LA. The man took great pains to set the stage, arranging lighting, props and even a movie and accompanying musical soundtrack! Providing an immersive experience made it so much more inspiring, and looking around, I could see many industry pros who obviously felt the same, returning time and again to Bob's in order to hone their craft.

 Peggy Moore channelling Norma Desmond at The Drawing Club, Los Angeles, July 2015 

Peggy Moore channelling Norma Desmond at The Drawing Club, Los Angeles, July 2015 

I had a chance to catch a session in July at the Drawing Club's new location, Gallery Nucleus in Alhambra, where the theme was Sunset Boulevard. As always, the film inspiring the session was being projected onto a screen. Modeling for us that evening was Peggy Moore, who took great pains with her costume. As you can see from a selection of my sketches, she had Norma Desmond down to a 't', and I had a ball, especially with her expressions.

Here in HK, space is more of a challenge, so we make do and stretch our imaginations a little more. But hey, all you need is a great model embodying the feel of a character, a great playlist, and off you go.

Figure Drawing Sessions in Hong Kong

If you’re in Hong Kong and want to give themed life drawing a go, connect with Pei Sea here. If you’re in LA and haven’t yet been to The Drawing Club, you can find more info at http://www.thedrawingclub.com/

For those in HK, here’s a map so you can also find a life drawing spot close to you. (I’m only recommending places I’ve personally been to.)

110 Studio Shueng Wan (Themed Life Drawing)

You’ll need to hit the 5th floor button at the gate downstairs in order to buzzed in. Take the elevator to the 5th floor and the entrance is on your left.

Run by: Pei Sea. 

Email110figuredrawing@gmail.com

Cost: HK$200 per 2-hour session

When: Thursday 7:30-9:30pm (check the Facebook pages for latest details)

Where: 5th floor, 110 Jervois Street, Sheung Wan

Format: Short poses, starting with 30secs/slow motion, 1, 5,10,15 and 20 min poses.

Instruction: None, but friendly advice is always available after if you want it.

Equipment provided: Seating and plywood drawing boards. BYO sketching materials

Facebookhttps://www.facebook.com/groups/1410102589305196/


Life Drawing in Hong Kong (nude)

Life Drawing Hong Kong

Philippe runs life drawing sessions in a few places in town. This is the main spot. (Email him to check)

Take the stairs up to the little elevator lobby and read the many notices as you head up the 8th floor. The studio is the door on your left.

Run by: Philippe Charmes. Hailing from France, Philippe is a great guy, an artist who also teaches, and is ever-ready with helpful advice.

Email:  lifedrawinghongkong@gmail.com

Cost: HK$150 per 2-hour session (single model. HK$200 if there are 2 models)

When: Tuesday 7:30-9:30pm (check the Facebook page for latest details)

Where: 8/F, Foo Tak Building, 367 Hennessy Road, Wanchai, Hong Kong

Format: Short poses, 2 - 20 min poses.

Instruction: None, but friendly advice is always available after if you want it.

Equipment provided: Seating and plywood drawing boards. BYO sketching materials

Facebookhttps://www.facebook.com/groups/126813551304679/


Spitting Gecko

Jockey Club Creative Art Centre, 601, 30 Pak Tin Street, Shek Kip Mei, Hong Kong

Run by: John McArthur is another great guy. A teacher in a local school & dedicated artist, he also runs life drawing sessions from his studio in JCCAC.

Emailjmcarthur@spittinggecko.com 

Cost: HK$135-$200 (depends on session) BYO materials

When: Thursday 6-8pm, Saturday 2-5pm (check the Facebook pages for latest details)

Format: Short poses, starting with 30secs/slow motion, 1, 2,5,10,15 and 20 min poses.

Instruction: None, but friendly advice is always available after if you want it.

Equipment provided: Chairs, stools, desks, plywood drawing boards, 2-3 easels if you’re early. BYO sketching materials

Facebook: https://www.facebook.com/pages/John-McArthur-Spitting-Gecko-Studio/46462181010

Sketching Disappearing Hong Kong

My last piece of the day. Chinese signage and little bits of line work completed at home after I was chased off by stall owners cleaning up for the day. I've decided to leave this in black and white for now.

The last rooftop rendezvous at Shek Kip Mei from my previous post drew a lot interest among Urban Sketcher friends who missed out last time, so we agreed we’d go again. A date was picked, and on Saturday, 21 March, a whole bunch of them trudged up the dark, smelly staircase to sketch the view…only to find that half the rooftop was now gone!

I didn’t go that morning as I had a stack of work to catch up on, but was quite dismayed when I saw the photo the group shared, of the demolition crew crushing the building. That afternoon, we were due to meet at Graham Street, scene of yet another disappearing act of Hong Kong's oldest sectors.

I had just read about the URA's plans to 'renew' the area, but was really saddened to hear that this 170+ year old market, so unique, so Hong Kong, was slated for demolition by the end of the month! The Sketcher Kee group, also up in arms, had arranged to head down to Graham Street and sketch up a storm in order to preserve anything possible through their artwork. Many of us from Urban Sketchers HK also planned to go, and as soon as I was able, I headed down there as well.

There were many heads bowed before sketchbooks and drawing boards by the time I arrived. I walked up  from Wellington Street drinking in what I could. The narrow street was pedestrians only, and lined by stalls selling meat, vegetables, fruit and a variety of dry goods for completing a meal; noodles and rice, herbs and seaweed and spices. 

I watched the patrons too, and they came from all walks of life. Maids lugged bags of groceries for the evening meal. Tai-tais picked expertly through piles of dried mushrooms for the best morsels. Expat couples living in the area browsed, their shopping bags piled with produce from the various stalls. Locals bought their fruit, regulars traded news with stall owners, and tourists swiveled their heads constantly, eyes glued to viewfinders, or smartphones constantly raised. Click-click for posterity. Good thing too. I was updated by Gui and Alvin after bumping into them later. Apparently, scaffolding would be erected the very next day so demolition works could begin. 

To the right, a wall had been erected, blocking off the construction site that marked a block already torn down earlier. The tattoo of jackhammers filled the air. I guess that's part of the rhythm of Hong kong, like it or not. I couldn't help but feel a welling sadness at the loss of this place though. By 2017, Graham Street would be just another typical commercial-hotel spot.

My view for Sketch No.1 (below)

To the right, a wall had been erected, concealing the construction site that marked a block already torn down earlier. The tattoo of jackhammers filled the air. I guess that's part of the rhythm of Hong kong, like it or not. I couldn't help but feel a welling sadness at the loss of this place though.

I'm going to miss this place

Ben's familiar face was up ahead where the pathway opened up because some stalls had long packed up and closed, knowing their days were numbered. Looking up, I fell in love with the higgledy-piggledy facades of the block in front of me. I've been fascinated by the Kowloon Walled City since hearing about it, and looking, up, imagined that it might have looked a little like this. Balconies jutted at different angles, as did the facades. Different widths, different styles, different metalwork, yet all part of the character of the area; an unmistakeable identity that many of you reading this now, will never see in real life if you haven't already. 

My Walkstool is better than my Helinox One chair in spots like this. Easy to set up and able to squeeze into tight spaces, I set up in a snap, soaked the view in and put stylus to screen. All the line work for this piece was done on location, and color added later at home.

Wanting to make the most of my time, I packed up as soon as I was done, and headed uphill to where Graham Street intersected with Gage Street, taking several reference shots along the way. Up ahead, more sketchers could be seen at various nooks and corners, heads bowing and raising in that particular bird-like way. I had about an hour of daylight left, and eventually decided to spend what remained of that on the edge of Gage Street, in front of a closed up stall. Taxis sometimes whizzed past, honking and missing my knees by inches.

The market on Gage Street closes at 7pm, and it wasn't long before the stalls around me began to pack up for the day. I was ultimately forced to leave when a hoarse voice behind me declared that I'd be soaked if I didn't move. The fishmonger was in the process of hosing down the sidewalk at closing time. Ah well...by then, I'd gotten most of my line work done anyway.

Just before heading off, I took a final look down Graham St. There are upper sections that are also slated for demolition, but maybe not just yet. I know where I'll be sketching whenever I have some time off in the next few months.

Sketchcrawl at Sham Sui Po (and Shek Kip Mei)

Gary delivers the morning brief

I am fascinated by the area in an around Sham Sui Po.

Apliu Steet for instance, has been an irresistible draw for me for years; a Gadget-Geekland that pops to mind whenever I need a tool or little doodad of any kind. It's a rather local spot, devoid of the usual crush of tourists, apart from a few who browse the stalls festooned with LED torches, cheap binoculars, phone or photographic accessories, and other gewgaws of all kinds.

By day, there are huge sections of the area dedicated to the garment trade, and you can find here every kind of fabric, bead and button for whatever you might be trying to make. Amidst the eateries and stores that sell daily necessities, there are also little metalsmiths, hammering and welding away beside dark garages that look like rows of mechanical dentists, filled with open-mouthed vehicles, bended torsos disappearing into their cavernous maws.

Except for the vehicles in the distance, this could be Hong Kong in the 60s

It wasn't surprising then, when a couple of weeks ago, my ears pricked up at word of the Urban Sketchers Hong Kong Sketchcrawl at Sham Sui Po. Some of the buildings in the area are a hundred years old; and that's old for Hong Kong. We were going to check out some vintage signage that almost spanned the entire street that Gui had photographed wonderfully previously. That particular stretch of Tai Nan St at 10:30am is absolutely quiet on a Sunday morning. I liked the scene, but prefer to draw ones with more people, so moved on quickly.

My morning really began with curious crowds milling around a few of us who were perched on stools at a busy intersection. The locals were very encouraging, praising talent and urging on those who made attempts to tame and capture the thousands of details that popped before us. A few of us focused on an older 3-storey building at a corner, and a particularly chirpy resident of these parts volunteered the entire history of the place and the family that still owns it; how many sons, who did what, who treated the father well, the family trade (Chinese medicine), and how it's fared all these years. I only understood one in maybe 40 words, thus capturing only the broadest gist of things. (I should really bone up on Cantonese so I can fully appreciate what the locals have to offer.)

 To loosen up, I opted to work fast and really loose. This was done in about 40min

To loosen up, I opted to work fast and really loose. This was done in about 40min

At lunch, we looked to Chloe, who lived nearby, and she led us several blocks over, to a little Daipaidong (street food stall) on a quiet alley in neighboring Shek Kip Mei. This place was famous for its pork chop noodle, and was packed. It took a while to seat about 20 people, and we eventually split into smaller groups, huddled around folding tables. Naturally, most of us got the house special, a reasonable HKD38 set for a tall glass of iced milk tea, and a big bowl of noodles with tasty fried pork chops.

We dispersed after lunch, though I stayed on that street. It was unlike any I'd ever seen in Hong Kong. I felt like I had stepped 20-30years into the past, the illusion only shattering when one realizes that many little old ladies today have smartphones. After craning my neck and picking my scene, I stuffed myself into a little space between the main street and a barricade at a traffic crossing. The row of buildings before me were only 4 storeys high; a rarity in Hong Kong today, where 40 must be the average. Many of the homes here looked in various states of abandonment and disrepair, but they brimmed with wonderful character to me. I sat enthralled and did my first decent sketch of the day. 

I love these old curvy buildings! Wanting to make the most of time, I decided to skip coloring, or just save it for later.

A little over an hour later, our Whatsapp chat group alerted me to the fact that some of my Sketcher mates were on a rooftop around the corner. Their directions led me up several flights of dark, narrow stairs, reeking of decay. The lower floors were inhabited, but the upper levels were abandoned. It looked like the residents just chucked stuff they didn't want on the staircase, and I had to tread very carefully around battered furniture, broken toys and close to the top, a karaoke mic and maybe the player that once went with it.

This gives you an idea...it's more fascinating in reality, but I guess that also means I need to take better photos!

Emerging into the sunlight was something else. The rooftop spanned the entire block. Overgrown and strewn with discarded furniture, it felt otherworldly to be up there. Leftover sheds that once housed vegetable patches were now wild; equal parts spreading green and brown shriveled vines. And the flowers! There were copious amounts of a wonderfully spunky, showy red variety that looked like firecrackers ready to be set off. Huge bunches of red bristled everywhere. Look closer, and there were also smaller spangles of pink and yellow, a little shyer in the shade of the wall.

6 of my sketcher buddies were spread out, but many clustered around the parapet to the west. I wandered over to see what seemed to rivet them, and soon discovered why they were excited (in a way only urban sketchers can be).

Broad strokes of pastel and liberal splatter really help to bring out the deliciously grungy feel of the place

A narrow alley separated our rooftop from another block of rundown buildings. The rooftop there was even more overgrown. Several old ficus trees had taken root, spanning at least half the height of the 4-storey block. Green shot up from every crack, and there were many. Someone pointed out a group of lazy cats down below, sprawled and napping on the tin roof. To my surprise, there was food for them in copious amounts! At least 3 open newspaper pages held mounds of dried cat food. I wondered who fed these fat feral cats, but we never found out.

Thinking the entire building was abandoned, I suddenly realized that it was not when flapping laundry caught my eye. Two whole sagging rails of it! It was pretty grungy down below, and I first wondered if the clothing had also been abandoned, but slivers of bright whites and a fresh bit of orange winked from the murk. Right in the middle of the decaying structure, it seemed like people had made themselves at home in at least two flats on the upper floors of the block. The windows were either broken or off their hinges, and the balcony rail looked like it might give way at any point, but home it was to someone. I wondered if the toilet worked.

Whatever its condition as a home, it was an irresistible sight, and I, like the other sketchers busily painting it, set to capture it as best I could.

Every corner of that rooftop holds wonders to draw. We left that evening, vowing to return soon. 

 

The Best iPad Sketching Equipment for Your Mobile Digital Sketching Studio

I've been sketching exclusively with an iPad for the last year and a half. I've also conducted a few workshops on the subject now (just did one for an Apple Store last Friday), and been asked many, many times about the equipment I use. While I have written about some items before, I thought I'd do a post that summarizes my top-recommended gear and accessories for easy reference.

 The core of the Ultimate Mobile Digital Sketching Studio: An iPad and the app, Procreate

The core of the Ultimate Mobile Digital Sketching Studio: An iPad and the app, Procreate

iPad

I'm still using the original iPad Air and love it. The iPad Air 2 was released in October 2014, and is even lighter, and more powerful. If you're serious about sketching on the iPad, I'd suggest you get the latest model, with the largest capacity you can afford (Tip: don't buy 16GB iPads - you'll be wasting a ton of time trying to manage space). This will future-proof you for at least 2-3 years. 

If you have an older iPad and wonder whether you'll still be able to use it, the oldest you can use with a good pressure-sensitive stylus is the 3rd generation iPad, released in 2012. Apple started using Bluetooth 4.0 technology then, and this is the standard for all the best styli on the market now.

Guess what the pros use to create? After testing multiple art/sketching apps, I can confidently say that there's nothing like Procreate. Simple yet highly customizable, it stays out of your way while ensuring that all the tools you need are easily accessible in a clean UI.

 Still my favorite stylus! Remember that the nib is modified though.

Still my favorite stylus! Remember that the nib is modified though.

Stylus

After testing many (detailed reviews coming in the following weeks), my top favorite is still my old Wacom Intuos Creative Stylus. This is the first generation model, released late 2013. I have tested the 2nd generation model, and unfortunately cannot recommend it until Wacom fixes some of its serious bugs. The good news for you guys is that the old model is now considerably cheaper! The not so great news is that for best results, you should modify it with the Jaja nibs by Hex3 that I listed in my previous post. Fortunately, once you have the tips in hand, the modification is quick and very easy. (You could do it in 15 minutes tops.)

I have also tested the latest Adonit Jot Touch with Pixelpoint (what a mouthful!) and that's what I recommend if you'd like to get a good pressure sensitive stylus without needing to modify anything. This is a new release and is pretty good. Full review coming up in the following weeks.

 This tablet holder takes sketching on the iPad to a whole new level. Absolute awesomeness!

This tablet holder takes sketching on the iPad to a whole new level. Absolute awesomeness!

iPad/Tablet Holder

This one raises eyebrows wherever I go, and after using it every day for hours on end, I can also highly, highly recommend it. The Twist 360 is an extremely versatile universal tablet holder. I love that it can accommodate most larger tablets (sorry, 7" tablets - Kindles, iPad Minis - don't fit, but I'm testing one that does and will post that later). The Twist 360 is a wonder that allows me to hold my iPad in a myriad ways, stand it horizontally or vertically, with any degree of tilt I desire, even hang it. It takes sketching on the iPad to a totally different level and I'm totally dependent on it!

Sketcherman-agloves_capactive_gloves.jpg

Capacitive Gloves

I have hunted high and low for a pair I like and tested several that I didn't. These gloves from Agloves are awesome. Woven through with conductive silver in bamboo fabric, they're really comfortable and allow me to to use multi-finger gestures on my iPad while serving 2 purposes: keeping my hands warm in cold weather, as well as erasing smudges on the screen! haha! I like that the entire glove is capacitive, not just the tips. These are very light and pretty thin (exactly what I was looking for) and so may not be sufficient for you if your winters are very cold. Agloves has thicker, warmer versions for that.

Sketcherman-Helinox_walkstool.jpg

Great Seating on the Go

I've being doing a lot of urban sketching, and when you're out and about, good, solid, ergonomic seating is paramount. While evaluating my options, I decided that what I purchased had to fulfill 4 important criteria:

  1. my choice had to be as light as possible 
  2. had to be really well-made and last me at least 10 years 
  3. pack really small
  4. support my lower back! 

Here are my favorite options, ticking all the boxes and working better in slightly different situations. The Helinox One Camp Chair was my first purchase. It's really quick and pretty idiot-proof to set up, and packs to about the size of a sneaker. Weighing in at under 1kg and under 2lbs, I can pick it up with my little finger. This beauty is also so comfortable to sit in, and yet is strong enough to take 350lbs! It leans back a bit, and is probably not for those who like to be very upright. (I do find that slipping a jacket behind me is an easy fix for that when i do want to sit up straighter.) Another plus: the curve of the fabric cups my elbow, thus supporting my arm for the hours I spend outdoors sketching. When it's time to kick back, have a drink and swap sketching stories under the trees, wow- this is the absolute best chair to stretch out and relax in!

The Helinox One has a larger footprint and takes about 20-30 seconds to set up however. When I know that I won't have much space (think museum interiors and narrow sidewalks) and want almost instant setup and takedown, my seating of choice is the Walkstool 55 XL. It comes with its own handy mesh bag that you can sling over a shoulder. I really wanted something that would fit into any of my backpacks, however. Telescoped, it's a compact 14" long, and love that this stool can be used at 2 lengths: short and fully extended. There are several sizes, so you can pick one that suits your build. The seat is large and comfy, and I was delighted to find that (in addition to lightning fast setup) I automatically sit up straight when I use it. Slouching takes effort when I'm on it, so my posture instantly improves!

Neither of the 2 seating options is particularly cheap, but pick any up and you'll feel instantly that they're built to last. I've used a lot of bargain basement clunkers that were either bad for the back or heavy as hell. Truly, you get what you pay for, and as sketching outdoors is something I do so much, I realized I should just invest in solid, dependable options. These are light, strong, very durable and ergonomic to boot! I figured if I got 10 years out of them, these would each only cost me about $10 a year. When you look at it like that, they're no brainers, really.

Do you have other equipment to recommend? I'm always on the lookout for gear that improves my on location sketching experience. Please add your suggestions in the comments! :)

My interview with Wanderarti.com

 This is my favorite sketch to date. I did this earlier this week, and it has received the most number of likes and comments for me on Facebook. It's wonderful to feel the support of my peers in the creative community! Wanderarti.com chose this to be the header image of their article too.

This is my favorite sketch to date. I did this earlier this week, and it has received the most number of likes and comments for me on Facebook. It's wonderful to feel the support of my peers in the creative community! Wanderarti.com chose this to be the header image of their article too.

A couple of weeks ago, I was approached by Lizzie, who runs a fascinating site on artists who travel and sketch. I was very touched as she was so friendly and warm. My site is also pretty new, and I was very flattered that she approached me for an interview.

I agreed, of course, and here's the link to my very first interview! Please have a look and let me know what you think in the comments! :)

http://www.wanderarti.com/sketching-hong-kong-on-an-ipad-the-work-of-rob-sketcherman/